‘The Artist’ Is Truly An Oscar-Worthy Film
I finally got a chance to see ‘The Artist’ and had no idea really what to expect, but it was such a wonderful movie. I avoided the trailer wanting to go in fresh. I knew the basis that for the most part it was a silient film about the fictional actor  George Valentin and how the invention of talkies affected a silent film star. Besides knowing the Oscar nominations it got, I went into this movie completely blind. 
Unsurprisingly ‘The Artist’ lived up to all of the hype and positive-word-of-mouth the films been recieving. Besides the film being absolutely fantastic, I’d say it’s a lock to win the majority of it’s nominations because Hollywood loves movies about making movies. I’ve seen the majority of the Best Picture nominees and honestly, most of them don’t full Oscar Worthy.  I loved ‘Tree of Life’ (it was in my top 3 of 2011) it’s a little too out there to grab Best Picture. ‘Descendants’ and ‘Hugo’ were both incredible films but just didn’t feel like Best Picture films. ‘The Help’ and ‘Moneyball’ are good movies, but thats exactly what they are, good. They don’t excel at being just very good. Walking out of ‘The Artist’ I truly felt like I watched a movie that felt like a film that’s beyond deserving of being Best Picture. 
There’s really nothing like watching ‘The Artist’ because it’s technically a silent film. There’s music and occasionally sound makes it’s way into the film, but there’s almost no spoken dialogue which means the two main actors Jean Dujardin and Bérénice Bejo are delivering performances that consist of almost all non-verbal actions. It’s a shame that Bérénice Bejo didn’t get a best Actress nod since she’s captivating in ‘The Artist’ and delivers one of those performances you cant help but fall in love it. There’s such fine attention to detail in making ‘The Artist’ looks exactly like a film from the 20’s. From the classic aspect ration, the film speed, the classic lighting, costumes and makeup, the film is a product of the times that it’s paying homage to. It’s a visual love letter to the silent films of the 1920’s.
We are so accustomed to dialogue and sound in movies that we take it for granted. By removing those elements for the viewers and actors, it truly really changes the entire dynamic of what is required from both parties. It’s such a rare and wonderful experience to sit in a movie theater watching a film with almost no dialogue being spoken and the hushed audience giving their undivided attention to whats unfolding on screen and sharing that experience together. 

‘The Artist’ Is Truly An Oscar-Worthy Film

I finally got a chance to see ‘The Artist’ and had no idea really what to expect, but it was such a wonderful movie. I avoided the trailer wanting to go in fresh. I knew the basis that for the most part it was a silient film about the fictional actor  George Valentin and how the invention of talkies affected a silent film star. Besides knowing the Oscar nominations it got, I went into this movie completely blind.

Unsurprisingly ‘The Artist’ lived up to all of the hype and positive-word-of-mouth the films been recieving. Besides the film being absolutely fantastic, I’d say it’s a lock to win the majority of it’s nominations because Hollywood loves movies about making movies. I’ve seen the majority of the Best Picture nominees and honestly, most of them don’t full Oscar Worthy.  I loved ‘Tree of Life’ (it was in my top 3 of 2011) it’s a little too out there to grab Best Picture. ‘Descendants’ and ‘Hugo’ were both incredible films but just didn’t feel like Best Picture films. ‘The Help’ and ‘Moneyball’ are good movies, but thats exactly what they are, good. They don’t excel at being just very good. Walking out of ‘The Artist’ I truly felt like I watched a movie that felt like a film that’s beyond deserving of being Best Picture. 

There’s really nothing like watching ‘The Artist’ because it’s technically a silent film. There’s music and occasionally sound makes it’s way into the film, but there’s almost no spoken dialogue which means the two main actors Jean Dujardin and Bérénice Bejo are delivering performances that consist of almost all non-verbal actions. It’s a shame that Bérénice Bejo didn’t get a best Actress nod since she’s captivating in ‘The Artist’ and delivers one of those performances you cant help but fall in love it. There’s such fine attention to detail in making ‘The Artist’ looks exactly like a film from the 20’s. From the classic aspect ration, the film speed, the classic lighting, costumes and makeup, the film is a product of the times that it’s paying homage to. It’s a visual love letter to the silent films of the 1920’s.

We are so accustomed to dialogue and sound in movies that we take it for granted. By removing those elements for the viewers and actors, it truly really changes the entire dynamic of what is required from both parties. It’s such a rare and wonderful experience to sit in a movie theater watching a film with almost no dialogue being spoken and the hushed audience giving their undivided attention to whats unfolding on screen and sharing that experience together. 


The First Official Trailer For ‘Lockout’

The new Luc Besson produced and co-written movie features Guy Pearce doing his best impersonation Hugh Jackman doing an impersonation of Snake Plissken which by all accounts should be a movie that actually star Jason Statham (or Jeffrey Donovan if the producers want the look & sound of Guy Pearce but at the pay grade of a successful Cable TV star).

I really enjoy some fun cheesy sci-fi films and ‘Lockout’ really looks like it’s going to be the perfect blend of fun action movie and fun-dumb sci-fi. I’ll get behind the concept of a space station filled with the world’s worst criminals kept in cold storage (because that isn’t asking for something to go terribly wrong), but why in the hell would The President send his super hot daughter up there? That’s just asking for a rape situation to occur. I’m not expecting a lot out of this movie since it’s a Luc Besson produced film, but it’s always nice to see the sci-fi genre getting some much needed attention. 

About The Ending To ‘The Grey’… We Were Promised Liam Neeson vs. Wolves (Spoilers)

Warning: Massive Spoilers for the end of ‘The Grey’ 

Anyone that has seen the trailer for the new Joe Carnahan man vs. nature survival film ‘The Grey’ starring Liam Neeson probably went into that movie this past weekend wanting to see Liam Neeson take on a pack of wolves with nothing more than a hunting knife and a handful of smashed airplane bottles Macgyvered into claws. That was a big hook of the trailer, people wanted to see how Liam Neeson took down a pack of hungry wolves with nothing more than some simple tools and the will to live. In the trailer Neeson does his best Wolverine “Snikt!” before running into certain death and battling with the Alpha male wolf. However for those of us that watched the movie, this scene is technically not in the film.

Ottway (Liam Neeson) remaining the lone surviver after leading his men to their deaths realizes he’s found himself in the wolves’ den. He wasn’t leading his men away from danger, he was leading them right into certain death. ‘The Grey’ is a film about choosing life instead of death, even when death is imminent. It’s about starring into the black abyss and fighting against all odds. We’ve now learnerd through brief flashbacks that Ottway’s wife hasn’t left him as the film’s foreshadowed, she’s died in a hospital from a terminal illness which explains why Ottway knows about death so well. Instead of giving himself over to the ravenous pack of wolves Ottway arms himself and looks ahead to a battle he certainly cant win but will try anyway he can. The camera holds on Liam Neeson’s tired face and fade to black… There’s no Liam Neeson versus the wolves action sequence. Even though cinematically the film ends at a very natural point allowing the audience to choose for themselves what the outcome of the final battle will be, the trailer promises an entirely different ending. Needless to say, there’s been a lot of complaints no the internet about the movie cheating audiences out of the ending that was promised in the movie.


As I stated earlier, the film ends at a very natural point that feels appropriate. For those wanting a more finite conclusion, there is a brief after-the-credits scene that sheds more light on who won that battle. I understand most people’s frustration and feeling cheated since not only did the trailer actually show you the final moments of the movie, but it also advertised a fight sequence that is nowhere to be found in the movie. There’s footage after the ending of the film that is actually in the trailer. It’s understandable that it sells the film better to show Liam Neeson fighting wolves in a very man vs. nature against all odds way. Not having that actually scene in the film and just the trailer will sell seats, but leaving it out of the final cut is going to anger an audience that mostly went to a film for a movie promising Liam Neeson in a knockdown-drag-out fight with a pack of timber wolves. ‘The Grey’ is a very existensial film about death, and that’s never an easy thing to sell to mainstream movie audiences.


‘The Grey’ is a truly terrifying movie about surviving against nature and one of Joe Carnahan’s best films to date. It features one of the most terrifying plane crash sequences I’ve seen in years. As a whole the film never falters and truly illustrates how deadly nature is. The uplifting note of this film I think many were hoping for is that we would witness Liam Neeson just decimating wolves like they had ‘Taken’ his daughter Maggie Grace.

Trailers showing footage that isn’t in the movie is nothing new, it happens a surprising amount. Trailers showing footage from the very end of the film is terrible, but also nothing new. A trailer showing footage from what is to believed as an alternate ending, now that’s something new I’ve never experienced. I fully understand people’s frustrations with the ending, I myself was annoyed about it too, but didn’t let it sour how much I loved ‘The Grey’ as an entire film.

For The Record: Matthew Broderick & The Super Bowl

I’m sorry, but Matthew Broderick reprising his Ferris Bueller Role for the Super Bowl is just fucking sad and depressing. He’s a talented actor stuck in a creepy-weird child-like-old-man body that hasn’t actually done anything of value since The Producers stage play and ‘Election’. He gets a pass for doing one really good movie back in the 80’s, but hasn’t done anything worth value since. Unless his role in ‘Tower Heist’ was truly amazing, I’m pretty sure he’s still doing so-so roles in films people don’t actually see. It really seems like people want to believe in the myth of Matthew Broderick then acknowledging he’s someone that is in dire need of reinventing their career. 

mrhipp:

AVENGIES ASSEMBLE

mrhipp:

AVENGIES ASSEMBLE

philnoto:

From the Hank Pym Photo Archives- Capt. Steve Rogers and Sharon Carter, S.H.I.E.L.D Headquarters, 1968

philnoto:

From the Hank Pym Photo Archives- Capt. Steve Rogers and Sharon Carter, S.H.I.E.L.D Headquarters, 1968

latimes:

New drone has no pilot anywhere, so who’s accountable? The Navy is testing an autonomous plane that will land on an aircraft carrier. The prospect of heavily armed aircraft screaming through the skies without direct human control is unnerving to many.
Photo:  The X-47B drone. Credit: Chad Slattery, Northrop Grumman

I for one except our new autonomous airplane drone overlords. 

latimes:

New drone has no pilot anywhere, so who’s accountable? The Navy is testing an autonomous plane that will land on an aircraft carrier. The prospect of heavily armed aircraft screaming through the skies without direct human control is unnerving to many.

Photo: The X-47B drone. Credit: Chad Slattery, Northrop Grumman

I for one except our new autonomous airplane drone overlords. 

(Source: Los Angeles Times)

Black Cat | Adam Hughes
Adam Hughes Black Cat peices will always have a place on my blog.

Black Cat | Adam Hughes

Adam Hughes Black Cat peices will always have a place on my blog.

Lessons In Awful Poster Design 101 | “What To Expect When You’re Expecting”

I get it, this movie is going to be the ‘Valentine’s Day’ & ‘New Years Eve’ equivalent but for expecting mothers, which almost guarentees that this movie will be total crap. The moment I looked at these posters I was positive that each of these stars had released a workout video for expecting mothers. Plus lets just note how unrealistic that preggo belly is on Brooklyn Decker. I’m pretty sure she just tossed a nerf ball under her shirt and said “fuck it, looks real enough.”

Unless someone in this movie actually gives birth to the anti-christ, this movie has generic chick flick written all over it. I’m actually surprised that Katherine Heigl up in this movie since it looks like her type of bread & butter movie. 

mrhipp:

HEROES IN A HALF-SHELL

mrhipp:

HEROES IN A HALF-SHELL

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Themed by: Hunson